The Modern World Read online

  Tornado’s down. What chance do I have? The oil is burning off Laverock’s Insect and its light is dying down. The shadows shift and I see the base of the pit, where soil has been swept aside from the pale grey bedrock. It has been brushed clean. A wide crack runs across it, separating it into two slabs like deeply buried gravestones. The gap transfixes me – it is pure black – so black that as an illusion it seems to jump and shimmer. I stare at it as arrows still whicker and thud around my feet.

  A flash of movement on my left, and an Insect’s head with open mandibles lunges at my waist. My elbow’s levered up, and before I can stop it, the head is under my shield. I flinch away inside its jaws, with a fast reaction but I can’t dodge far enough: it turns and plunges its open left mandible into my stomach like a dagger. I go rigid with the shock of it penetrating. It tosses its head like a bull goring and I feel the razor mandible gouge upwards. My skin parts before it. My loose hauberk rucks up over its head with a metallic rasp. Its cold jaw slits all the way up and hooks under my lowest rib. It tries to continue its carving slice and pulls me onto the tips of my toes. By luck, I stumble backwards and slip off the point.

  With my hand clawed I rake over the bastard thing’s eye but my nails have no effect and I hate myself for reverting to act like a Rhydanne and scratching, while my ice axe drags on the ground.

  My strength fails quickly. I raise the axe and bring it down between its eyes, into its forehead plate studded with three smaller eyes and dimpled antennae sockets. The frons plate cracks across like a nutshell and one side lifts up: I glimpse the base of its compound eye rooted in a damp membrane underneath.

  The Insect rears up and shoves me. I topple backwards and fall. I brace myself but I’m surprised to find I’m still falling. My wings open instinctively. The pit’s edge tilts up into the sky above me. I hit the slope hard with my left wing under me and – crack! – its bone breaks.

  This isn’t my camp bed. Where the fuck –? No: I’m lying on my back on the slope with my wing buckled underneath me and I had better not faint again. My right arm is outstretched, the strap around my wrist is holding me attached to the axe pick still embedded in the Insect’s head.

  It lies flat; its head moving left and right in its death throes tugs at my arm. Its mandibles open and close. Its flattened forelegs kick back and forth, scooping soil off the top of the slope. Turf chunks and grainy dirt sift down on top of me, covering me lightly all over.

  I clutch one hand instinctively across my stomach but the gash is too long to hold together and my fingers sink under the edge of the flap of skin. It is warm and very slick. I feel a loop of gut spill out over my arm. I look down and see it adhering to the ground, picking up pieces of soil and grass blades. Unable to stop it, I watch it uncoil out of my midriff from under the mail shirt. The guts slither over each other; they are different shades of grey and firm to the touch.

  All I can see of my wing is the bicep and a sharp shard of broken bone sticking out of the muscle close to my body between the black feathers. As I breathe out, air rushes out of the hollow bone. The air sac inside it inflates slightly out of its pointed end. It is a very thin, moist and silvery membrane. I know that Awians have two air sacs deep in their backs and in their limbs’ long bones nearest the body; humerus and femur, but I’d never seen one balloon out before. I breathe in, dizzy from shock and lack of air, and it inflates. I exhale and it flutters where it’s ruptured and the air flutes out. Under the feathery skin around it, a blister starts to grow as escaping air is trapped there. Oh, fuck. That’s me fucked then if I’m breathing through the bone.

  The ground shakes but I don’t roll further down the slope because I’m anchored to the dead Insect at the top. I can’t muster the energy to turn myself over and crawl. I can’t move. I’m going to die here. I have to do something, anything, not just give up. The wind gets under my broken wing and blows it around, grinding as it twirls on the bone. Between gusts it settles down slowly on top of me, then the wind picks it up again. I take my hand from my ripped stomach and reach out to flatten it against the ground but the feather tips still curl up.

  The agony begins. It is fiery and sharp, a white-hot blade the length of my side. I lie with my cheek in the cold, uneven soil like a toad’s back and scream. Mud grains get into my mouth and coat the back of my tongue. I grit my teeth and they grate against the surfaces. I feel soil filling my nostrils, I retch with the earthworm smell of loam and cut roots. I scream wordlessly with all my strength, trying to relieve the pain. A human or Awian would scream for help, but Rhydanne don’t because Rhydanne know there is no help to be had.

  I can feel the sweat trickling out of my hairline and a stream of blood running freely out of my side, into the ground. I didn’t know I had this much blood.

  The uneven piles of dirt close beside me, that I know are tiny, now seem as impassable as mountain ranges, and dark with the organic matter of rotting soldiers … whom I will soon join.

  The black sky rains arrows. The wind’s noise is a great distance above me; it doesn’t affect me any more. I feel a warm patch spreading between my legs: I have wet myself. I begin to suffer from an overbearing sense of shame. What will people say when they find out I’ve wet myself and my trousers are sticking to my crotch? But I will be long dead by the time they find me, if they find me at all.

  I take another mouthful of dirt and scream again, petrified by the thought of leaving the world for ever. I’m twenty-three; I don’t want to die. I’m one hundred and thirty years old, I don’t want to die. I can’t feel my toes or fingers, then feet or hands, then legs or arms. The cold clings to my skin like wet cloth. It permeates my bones and my muscles ache with tension. I can’t curl up against it. I am shivering from the freezing air in the wound, it reaches inside my body until I feel as if I am more naked than naked.

  I quickly run out of energy and lie exhausted, with my throat raw. The damp ground at last feels comfortable against my cheek. I am as cold as the soil, throughout my body, as if I am already part of it. I start to forget how to breathe. How still I am. I can hear an Insect’s claws scraping underground as it pulls itself through the crevice in the rock.

  I sink into fatigue and start slipping into warm sleep despite the pain. I am dimly aware of my body shutting down. I fight to stay awake, in furious denial, but why bother? No one is left to help me. Sleep tempts me. I scream at myself – if you sleep you die! Stay awake! The numbness seeps deeper and I have no choice. It steals up inside my core. While my consciousness fights fiercely to stay awake, a part of my mind falls asleep, then another, blocking it in. I can’t revive my memory. I can’t wake my sense of hearing … touch … vision … I am surrounded by sleeping mind; I die.

  CHAPTER 1

  I woke. I tried to sit up and banged my head hard on a wooden plank above me. Shit, had they put me in a coffin already?

  I was curled up tightly in a tiny space, tense with suppressed panic. I calmed down, relaxed and remembered where I was. It isn’t 1925, it is the year 2025, and we are six kilometres south of the Wall in Slake Cross town. I had been sleeping folded up on the lowest shelf of an enormous bookcase. My wings extended, half-spread, taking up metres of the paved stone floor.

  Frost, the Architect and owner of the bookcase, was sitting behind her table a few metres away. She glanced down. ‘It’s nearly nine o’clock, Jant. We only have an hour until the meeting, remember?’

  I unpacked my long legs, stood and stretched, attempting to tie my hair back so I could see her.

  Frost sounded curious: ‘Did you have bad dreams again? Was it the nineteen twenty-five massacre?’

  ‘Yes. I have flashbacks every time I come here. God, I hate this place.’

  ‘I’m not surprised you have bad dreams if you sleep on a shelf. Sometimes I forget you’re a Rhydanne but then you do something really bizarre. Tornado and Lightning haven’t been bothered by nightmares.’

  ‘They weren’t eviscerated, and besides, they remember worse disasters.�
� I hooked my thumb in the pocket of my jeans and pulled the waistband down to show the old knotty scar that curved up the left side of my stomach.

  ‘Yeuch. Still, you should have got over it by now. Have you been under the influence?’

  ‘No.’ Not since that last handful of mushrooms anyway, and whatever I’d washed them down with. ‘I’m clean.’

  ‘Well, being “clean” seems to have done wonders for your vanity.’

  I had unfolded a little mirror to check the kohl around my eyes. My irises were dark green like bottle glass, the pupils vertical like a cat’s, backed with a light-reflecting membrane. It’s a Rhydanne trait. So are my silver bangles and a brightly coloured serape shawl wound around my waist, its indigo tassels hanging down. But I am half Awian and at the moment my clothes are too; well-tailored boot-cut riding trousers. The faience beads and broken buzzard feathers in my black hair. Then there was the natty slashed shirt I picked up in Wrought, through which I was windburnt, so now with the sleeves rolled, my arms were brindled and spotted. I had spent the last six months carrying messages for Frost and constant flying had honed me down to bone and muscle. I feel so much better these days and everyone can see how much better I look.

  I stretched my wings and Frost watched the workings of the joints, unfortunately not with the eye of a woman who finds them attractive, but as a fascinated engineer. Frost, through and through a Plainslander, was a human without wings. She looked to where the limbs, as thick as thighs, joined to me above the small of my back. The muscles around my sides, attached to the tops of my hips, drive them.

  I folded them both neatly so the quills lined up, like organ pipes emerging from delicate, corrugated skin. The limey Lowespass water had dulled my feathers.

  Frost sat behind a rough table in the middle of the hall, with a large brass coffee pot at hand. Propped up against it was her small and extremely threadbare soft toy rabbit with one eye. It had been a present from her husband more than three hundred years before. The coffee pot and the rabbit weighted down a stack of papers, a mound of dog-eared textbooks and notes, all in Frost’s handwriting but some of the paper was ancient. An enormous chart of the Oriole River valley curled off the table at either end. Fiendish equations were pencilled across it; underscoring, memos and neat, blocky doodles. Her genius calculations were written in lines; tiny numbers and letters. There were all sorts of little triangles there too. I appreciated the little triangles.

  Frost presided over this orderly mess, a double-handled glazed mug cradled in her square palms. Her round face was slightly blotchy without any trace of make-up and her nose was red. Dryness lines bunched together around her eyes and two vertical creases between them made her look fearsome, but they were caused by peering into windswept trenches, not by scowling. She had a bulky brown ponytail with a few grey hairs twisted and tethered behind her head with a clip. Wiry strands fizzed out of it, around her broad forehead and the pencil wedged behind her ear.

  The arms of Frost’s chunky cardigan were rolled back into bunches above her elbows. Its wool was pilled and marred with snags. She had knotted a kerchief around her neck and her big thighs in comfortable trousers fitted into the seat of her camp chair. Frost was not concerned with the niceties of dress and she only ever wore black. Her feet, in thick socks and steel-toed boots, rested alongside a stack of architectural plans on graph paper taped to drawing boards.

  The hall was thirty metres long, echoing and austere; its half-round ceiling arched above us like the inside of a barrel. Since Frost had begun to use it as her office, she had covered its trestle tables with samples of masonry; keystones, voussoirs and coping stones milled into interesting shapes. There were metal boxes – dumpy levels for surveying, pattress plates for strengthening brickwork, a basket of red-painted corks to measure water flow and an intricate scale model of the dam. The oil lamps hanging from the brick vault had just been lit as evening was wearing on and, against April’s chill, a fire was set in the hearth. Frost’s assistants were pulling some benches into rows. I reflected that her world is rather more practical than mine.

  She said, ‘Lightning and the Queen are out walking on the dam. They’ve been there since dawn; they said it was the best vantage point to decide how to position the fyrd. Can you fly over there and ask them to join us?’

  I mimicked the Queen’s decadent voice, ‘Oh, my darling, must I?’

  Frost’s mouth twitched. A smile only escaped her when her guard was down. ‘You’ve got her beautifully. Yes, you must. I mean she must. She probably finds it as tiresome as I do.’

  ‘Have you seen any reporters yet?’

  ‘God, no. Most of them are waiting in the Primrose. You know I don’t like talking to them. They twist everything I say and I can tell they’re not really interested. They wouldn’t get even the most basic facts wrong if they were. I don’t know why I bother holding press conferences. Everybody apart from journalists finds the dam self-evident, and their waffling questions always lead me away from the point.’

  ‘I’ll make sure it goes smoothly.’

  She pulled her oversized cardigan closed and sipped her coffee. ‘This is the culmination of years of work since I unveiled the model. The dam has occupied my every waking hour … and my sleep too. But I doubt the reporters care. They look for other stupid stories and then concentrate on the wrong one. They’ll chase off after any scandal no matter how momentous the occasion.’

  I said, ‘It’s all right. Don’t worry, just leave them to me. I’m used to keeping them in check. If they ask me a question I can’t answer, I’ll bring you in.’ I waved my hand in the air and Frost stared at it. I dug it into my pocket. ‘I’ll find a quick flight refreshing. The dam breaks up the air in interesting ways. It is a masterpiece.’

  ‘Oh, yes! It really is the most efficient structure! There’s never been a dam with the functional strength of this one, there’s never been a lake so capacious!’ Keen enthusiasm lit her face. She had been boring people on the subject of river engineering for three hundred and fifty years and this was her greatest project. ‘It makes Micawater Bridge look like an apprentice piece! Every engineer said I was being overambitious, but the figures were sound. So is the actualisation! They said it was impossible. They said, “You might hold the model in your hands but you’ll never raise the biggest construction of all time right on the Insects’ doorstep.” Three years later, I took them for a tour! Since the Wrought blast furnaces are operational again I’ve had iron for the rack and pinion cast in segments and assembled here, an elegant solution, you must admit, and you should look out for the way I’ve bridged the walkway above the overflow conduit so –’

  ‘Frost, please …’

  ‘I thought you liked it.’

  ‘I do, but you’ve just asked me to call in Lightning and Eleonora.’

  ‘Oh yes,’ she said, chastened. ‘So I did.’

  I blew her a kiss with both hands that became a mock bow. ‘See you in an hour, OK?’

  I walked out to the cobbled central courtyard, enclosed on its three other sides by the cookhouse, mess room and tavern. Each was built of limestone blocks and roofed with lauze; thick, heavy slabs that looked shaggy, like the boughs of a fir tree.

  The buildings were pierced with arched alleys, three in each side, just wide enough for one man at a time. They were designed to stop all but the smallest Insects reaching this square, a final refuge if the town’s outer defences were ever penetrated.

  The plain hall had fulfilled many purposes over the years: a hospital, a headquarters for immortals, and it was now Queen Eleonora Tanager’s temporary residence and Frost’s office. Frost’s orange banner ran along the length of the roof: ‘Riverworks Company Est. 1692’ in bold black letters. Beside it flew Tanager’s swan pennant, Micawater’s argent mascle on an azure field, and the Awian white eagle on sky blue.

  Soldiers had gathered outside the Primrose Tavern opposite. They sat on stools made from barrels to watch two immortals sparring in the middle of the sq
uare. The Swordsman, Serein Wrenn, was fighting the Polearms Master, Lourie Hurricane. They had an Eszai competitive edge to their play; they both knew that if they weren’t training, somewhere a potential Challenger was.

  Lourie Hurricane was a quiet perfectionist, a tall man from Plow who used to be a vavasour cart-driver before he became immortal. Serein Wrenn, on the other hand, was short and stocky and had the silliest haircut of all the Eszai – waxed up into short spikes with bleached tips. His narrow sideburns tapered into a little chinstrap beard.

  Wrenn had come forward and beaten the previous Serein in a fair Challenge, according to the Castle’s rules, only five years ago. Many still said that his predecessor was the more steadfast fighter, but Wrenn was quick with the desperate gambit. He had frequently been Challenged until word of his flair spread. He had latched on to Lourie; I think he admired Lourie’s ascetic, taciturn poise. In the depths of his aplomb Lourie might have been grateful; it is always the case that Eszai lose friends but gain sparring partners. These two were often seen together arguing monomaniacally as to whether glaives or broadswords were the better weapons.

  There were both objects of great amusement to the other immortals seated nearby watching them fight: Tornado the Strongman, the Sapper, the Artillerist, and Gayle Holthen the Castle’s Lawyer who also acted as provost for the fyrd. She was a smart, cosmopolitan woman who had joined the Circle after a full career as a judge.